A Raisin in the Sun

By Lorraine Hansberry. Directed by Clint Dyer.

Dates
Wednesday 6 October to Saturday 6 November  Previews from Friday 1 October 
Show Times
Evening shows Monday to Saturday: 7:30pm Saturday matinees: 2pm
Duration
Approx 2hr 45min (Incl. interval)
Audience advisory
Age reccomendation: 14+

First staged on Broadway in 1959, Hansberry’s groundbreaking play changed the landscape of modern theatre forever.

It tells the deeply moving story of the Younger family, three generations of an African American family living in a cramped apartment, grappling with conflicting dreams, financial strain and systemic racism. When a substantial life insurance payout arrives following the death of the family patriarch, the Youngers are forced to confront urgent questions about dignity, identity, and what it truly means for an African American to chase the American Dream. 

We are delighted that Clint Dyer will be directing this Irish premiere. Dyer joins us from the National Theatre in London where he was Deputy Artistic Director to Rufus Norris. He has had huge acclaim for his productions including Death of England:The plays, the award-winning production of Othello, all at the National Theatre, and recently the award nominated production of One Flew Over The Cuckoos Nest at Old Vic. 

‘So now it’s life. Money is life. Once upon a time freedom used to be life now it’s money. I guess the world really do change..’

Lorraine Vivian Hansberry was an American playwright and civil rights activist. She was the first Black American female author to have a play performed on Broadway. In her short life, she made an indelible impact on the theatre landscape with her searing plays about families on the edge, the African American experience and a sense of hope for a kinder future. She was hugely influenced by the works of Sean O’Casey and how he used theatre as a tool for social engagement. Hansberry said, “I am the first to say that all plays I shall ever write ‘owe’ deeply to the great O’Casey.” 

A Raisin in the Sun is currently included on the Leaving Certificate English prescribed texts list and may be studied as a single text at Ordinary Level.  

Creatives

Lorraine Hansberry
Writer
Clint Dyer
Director
Ti Green
Set Designer
About the writer
Lorraine Hansberry

(May 19, 1930 – January 12, 1965)

Lorraine Vivian Hansberry was born March 19 1930 in Chicago to father Carl (real estate broker and founder of one of Chicago’s first Black banks) and mother Nannie (schoolteacher). Uncle William Leo Hansberrry was professor of African history at Howard University, among the first in the US to study the history of the African continent. W. E. B. DuBois, Paul Robeson, Langston Hughes, Duke Ellington, Joe Louis and Jesse Owens were among the prominent African Americans to visit her home. In 1938, Hansberry’s father buys house in a white suburb of Chicago. Then in 1943, her father wins an anti-segregation case (against Chicago’s restrictive real estate covenant system) in the Illinois Supreme Court.

Hansberry studies art, literature, drama and stage design for two years at University of Wisconsin, beginning in 1947. During this time she contributes to the mounting of a production of O’Casey’s Juno and the Paycock. After graduating in 1950, she moves to New York City. Then a year later she begins working full time as a reporter and editor for Paul Robeson’s journal, Freedom. She meets her future husband, Robert Nemiroff (first-generation Jewish-Russian writer and activist) and they marry in 1953. They formally divorce in 1964 after a separation of seven years, but they remain close friends and Hansberry designates Nemiroff as her literary executor. Hansberry identifies more openly as a lesbian from the time of their separation.

In 1956, Hansberry starts writing The Crystal Stair that becomes A Raisin in the Sun. In 1957, she reads the play to publisher and friend, Philip Rose. 11 March 1959, A Raisin in the Sun opens at the Ethel Barrymore Theatre, with Lloyd Richards as director. It is given 530 performances, awarded the New York Critics’ Circle Award for Best Play of 1959, with Hansberry the youngest playwright, fifth woman and first African American to win the award. In 1961, a film version is released for which Hansberry produces the screenplay. In 1963, Hansberry was first hospitalised with cancer. 15 October 1964, The Sign on Sidney Brustein’s Window opens at the Longacre Theatre. Hansberry dies from pancreatic cancer on 12 January 1965, and The Sign on Sidney Brustein’s Window closes on the evening of her death after 101 performances. She is thirty-four years old. At her funeral, Martin Luther King paid her the following tribute: “Her commitment of spirit… her creative ability and her profound grasp of the deep social issues confronting the world today will remain an inspiration to generations yet unborn.”

About the director
Clint Dyer

Clint Dyer most recently directed Dale Wasserman’s One Flew Over the Cuckoo’s Nest at the Old Vic. He is a former Deputy Artistic Director of the National Theatre, where his directing credits include Othello and the acclaimed Death of England trilogy, co-written with Roy Williams. Dyer was nominated for Best Director at the Black British Theatre Awards for Death of England, while Death of England: Delroy won Best Play at the Visionary Awards.

His other directing credits include Get Up, Stand Up! The Bob Marley Musical, which won an Olivier Award for Best Original Score/New Orchestrations, and The Big Life, the first Black British musical to transfer to the West End, alongside Kingston 14, Sylvia Plath (as writer and director), The Westbridge and The Happy Tragedy of Being Woke for Complicité, co-directed with Simon McBurney.

For television and film, Dyer wrote Starter Motor for the BBC’s Soon Gone: A Windrush Chronicle and co-wrote Death of England: Face to Face, nominated for a BAFTA TV Award.

As an actor, his credits include the Olivier-winning Ma Rainey’s Black Bottom, Sus, Big White Fog and The Royale. Screen credits include Black Mirror, Fallout, Mr Loverman and Lock, Stock…” …And Four Stolen Hooves.

Booking Information

Tickets
Previews: €16.50, €26.50, €31.50, €36.50
Monday to Wednesday: €26.50, €41.50, €46.50, €51.50
Thursday to Sunday (incl. matinees): €36.50, €46.50, €49.50, €58.50
Building Upkeep Levy

Price includes €1.50 Building Upkeep Levy:

As a registered charity, your support of the Gate Theatre is vitally important. All tickets purchased for Gate Theatre productions now include a €1.50 Building Upkeep Levy to help us maintain, enhance and invest in our historic landmark building. It helps us provide a world-class theatrical experience for our audiences, artists, and local communities, while also safeguarding it for future generations. We are deeply grateful for your ongoing and invaluable support of the Gate Theatre and its work.

Accessibility

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Group Offer (6+)

10% discount for group bookings of 6+.

T&Cs apply. Not redeemable in conjunction with any other offer. Rate applicable for groups of 6 or more.

Senior Offer

Seniors can avail of discounted tickets to see any show here at the Gate Theatre. These tickets can be purchased directly from the Box Office (by phone or email) on the day before you intend to attend the show. Tickets €21.50 (incl. Building Upkeep Levy)

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A Raisin in the Sun